The Power of Two. The Hail Mary S2 E12. My Reflections.

“Every new beginning comes from some other beginning’s end.” Closing Time – Semisonic

As I watched episode “The Hail Mary” S2 E12, frenetic thoughts and feelings bounced all askew, not unlike Claire’s hair defying the pins and willfully becoming untamed once more. I have a level of discomfort that feels just right. I am stunned when the hour is up. I would swear only half that time is gone by. Each minute is well spent and never dithered away. As the credits roll, my emotions settle, and I recognize the power of two deftly at play here.

Two is indeed better than one.

Two writers, Ira Steven Behr and Anne Kenney crafted together this episode in a seamless fashion. They demonstrated what a collaborative effort should look like onscreen. As I watched, I tried to figure out who wrote what and I couldn’t tell. This is a win for viewers. I only have words of excellence for how these two interpreted the script outline as a team. I hope they are proud of what they put forth. I expect they will garner accolades from fans and peers alike.

Two war council leaders pushing and pulling the Prince, funneling all options down to the ill-fated battle on Culloden Moor. Once at odds, now the Quartermaster and the Lord General get on the same page, but the men are hungry, tired, and weary. Too long in retreat, they are no longer fit to fight. The Prince himself is tired of retreat and desires to forge ahead at Culloden. The weaving of the background tale leaves a sense of frustration for all involved. The Prince and his trusted advisers are as ill prepared as the men. It’s powerfully difficult to watch it unfold. This has been masterfully shown to the audience to provoke feelings of unease, distrust, and being forsaken to a lost cause.

Two still grieving the loss of their friends. Ross and Rupert are not yet over the loss of their other halves, Kincaid and Angus. Being in this place without them has them hollow and spent. They are struggling to find meaning and purpose in it any longer. This demonstration of low morale is a small insight to what the entirety of the forces are feeling. The continued nod to the fallen two, is sweet and heartbreaking all over again.

Two “Hail Mary’s” in the mix, Jamie’s and Mary Hawkins’. No matter what Jamie does or how he schemes, the path to Culloden outwits him and is set ever more firmly. He even uses information Claire gathers from Black Jack Randall to try to reset what is to come. Nothing changes. Fate is inexorable it seems. One has to give Jamie credit. He is one tenacious beast with a bone. His love of family and country propel him to not give up even on the eve of battle. This is a reason he is so beloved and called “The King of Men”. He’s not always the fastest, smartest, or strongest. He’s the one willing to do whatever it takes, at whatever the cost to himself to do what he believes is right. There’s a penalty to being “that guy”. We’ve seen the hardships he has endured, however, in the season finale, there’s no doubt he must pay the ultimate price for those he loves. Sam Heughan making it real and believable.

Mary Hawkins make a reappearance. She’s with Alex Randall once again. His health has declined further. They plan to marry once he is improved. Sadly, this is not to be. Claire becomes involved in his care and knows quickly he will not live. Poor Mary is faced with being on her own and destitute. Big brother Johnny (Black Jack Randall) has been financially supporting them since Alex has been unable to work. This triangle proves to be her “Hail Mary”.  Alex insists upon her marrying his brother so she will have a proper name and title. Mary agrees. Randall takes more convincing. Claire “helps” him to see what he must do. She contrives to have Mary not be his wife, but his widow with all the benefits. Exquisitely acted by all in these scenes, each emotion hits the viewer like a slap across the face. It is terrible, ugly,and disturbing…the lot of it.  In the end, they were wed. Now every viewer can be comforted in the fact that Claire prophesied the date of his death, so Mary will only ever be his widow. And never his wife.And I believe two pregnancies are occurring, one known, one not yet acknowledged. Mary Hawkins not only is in need of a husband, her unborn baby, fathered by Alex, is in need of a name and father. Finally Claire knows how and why Black Jack Randall marries Mary. She also must realize that Jamie could’ve killed Randall all along because Frank is not his direct descendant. I imagine a large dose of guilt there. Genealogy charts do not have the back stories. The other pregnancy was foreshadowed last episode in the prayer Jamie was saying over a sleeping Claire. She looks unwell and seems not herself. I believe she is pregnant again but refuses to acknowledge it to be true. Remember the wee daughter we met earlier in the season? The season finale cannot come close enough.

Two sets of brothers are unexpectedly saying goodbye to the one ill. Due to his increasingly poor health, Colum shows up to the encampment to discuss with Dougal and Jamie his vision for Clan MacKenzie after his death. He chooses Jamie over Dougal, as guardian of young Hamish, who is to take his place as Laird. Dougal is angry and lacks an understanding. He somehow makes it all about himself. His loss. His pain. There’s no way for peace to be made here. One who must do for the clan. One who wants to grab at power. When Colum peacefully slips away (after taking the herbs Claire gave him) during Dougal’s woe is me monologue, the final blow to Dougal is struck. Colum wins his battle by leaving his brother with too much unsaid and nothing fixed between them. I shed more than a few tears after this scene. The insight into what makes Dougal tick is fascinating. Colum always knew him better than he knew himself.  Again, the acting is superb. Bravo to Gary and Graham.

Finally the other set of brothers in a losing battle of illness. Black Jack Randall is affectionately called Johnny by his dying brother Alex. He is the only thing Black Jack has ever loved unconditionally. He’s the only person who’s experienced tenderness and care taking by Black Jack. He knows his brother is dark, but preys on the small light of goodness to carry out his plan to give Mary and their unborn baby, a name and station. This request is too much for Black Jack to handle. He even goes so far as to try to get Claire to help dissuade Alex of the marriage request. Eventually he and Mary wed to his great disgust. In the end, he cannot bear to say goodbye to his brother, and instead of tears, shockingly beats his body with fists after the last breath is drawn. This horrific act is done in front of Claire and Mary. Tobias Menzies crushes every scene. He is vulnerable, desperate, caring, despondent, and hateful.  In addition to the incredible acting, Black Jack looks drawn and thin, in kind to his brother ailing Alex. Brilliant!

I have watched it twice just to make sure that the power of two took full root.

This episode gets a giant YES from me if you could not tell. My full review and discussion will be on my podcast for your listening pleasure.

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Outlander The Reckoning 1×09 Review with Recap

So now the much anticipated, controversial, and provocative Outlander episode The Reckoning written by Matthew Roberts and directed by Richard Clark has aired. The strapping heard around the world as it were. Yes and so very much more. This episode is deep and rich with story line, character development, and texture well beyond that few evocative minutes. I had so much to love about this episode. Every one seems to top the last. Pure viewing pleasure.

First off this episode completely takes us out of Claire’s point and view into Jamie’s point of view. He speaks the same five words Claire Randall utters in the opening voice over in Sassenach episode 101, “Strange the things you remember….”.  Connecting the first half of the season to the second half with a bit of brilliance there.

He speaks of choices leading each step. When he realizes he had become a man. Choosing and decision making are continuously running themes for Claire thus far, now we see through Jamie’s eyes what he needs to choose, what he must decide. Another point of their intersection and growth.

The other refreshing start to this episode is that we are taken back to before where the last episode ended. We are given the insight from Jamie as to events leading up to Claire’s rescue.


Moving into meeting with Horrocks a much anticipated scene as Jamie seeks to gain information that might free him from being a fugitive. A hard quick letdown when the name provided is all but useless. What does this mean? Jamie has no hope of clearing his name. So much onus was put on this event, and it just thuds. Really like life sometimes, large expectation and no outlay only disappointment. A vehicle merely to get the viewers to a destination? Perhaps.

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They all find out what happens to Claire when Willie rides up in a panic. I am unsure why no one is angry at Willie as he was charged with staying with and watching Claire when the meeting took place. What purpose was Willie in that scene, if he bore no responsibility? That is baffling.

the reckoning episode 1x09 4

Cutting from the ride toward Fort William to Jamie getting dressed almost ritualistically is intriguing and quite beautiful. I venture they stayed somewhere near and rested before nightfall to attempt the dangerous rescue and he had to redress. I am not certain why it is here, but though superfluous is nice.

The rescue attempt is enthralling. Jamie’s emotions though well encased are emanating through the screen pelting viewers. His acting is moving. Drawing us the viewers into his desperate need and desire to get Claire back. He is putting himself at immense risk in this pursuit. He loves her. This is not simply duty. He cannot bear the thought of her under the hands of Randall. Murtagh, Rupert, and Angus all willingly help him. A harrowing climb down the side of the fort wall by Jamie with Jamie sitting in the window stating to Black Jack Randall, “I’ll thank ye to take yer hands OFF my wife.” to a stunned and delighted Randall, takes us to the place where the last episode ended.

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Disturbing and spine chilling inadequately describes the exchange between Randall and Jamie. For a moment it would seem Claire was not even present. Then Randall is quite aroused at the prospect of raping Claire in front of Jamie or including Jamie in the “fun”. An ugly game of cat and mouse between the men all the while Claire being held knife to throat by Randall. In the process she gets her own verbal digs in. Randall is sure he is the winner in this scenario after Jamie puts the gun down. Ultimately, this dance of the two men, an unloaded gun, is not the scenario Randall wins. He is knocked out cold before the escape. Even Jamie wonders in his “Jay-over”, why he did not kill him right then. He had never thought to kill a helpless man. And plot device for the future.

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The rest of the escape is a dangerous romp. An arsenal explosion set off by Murtagh, Rupert, and Angus, a jump into the cold waters below, the ride off into the morning. The tension these scenes created was fantastic.

Once in the clear, the men stopped to rest and water the horses. Or so it would seem. Jamie taking Claire aside for an apology did not go well with her at all. She is bitterly angry at being blamed for being picked up by the redcoats. She did not stay put as Jamie told her to. Not to punish him as he thinks, but “Christ Jamie, I went for a walk” as she put it whilst Willie used the outdoors as a loo, then she saw the standing stones, spontaneously, not intentionally, she ran away from all the horrors of the past week and toward familiarity and safety of the 1940’s. Jamie and Claire’s bitter words and fighting demonstrate their fears, assumptions, and hurts. They must traverse these difficult roads to get where they need to be.

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Jamie is overwhelmed by the fighting and all they have said to each other. He slowly crumples to the ground, emotional and wrought.  “I went to ye at Ft. William armed with an empty pistol and my bare hands. When ye screamed……. Y’er tearing my guts out Claire.” She is deeply affected from his anguish filled, heart breaking words that pierce. Apologizing she is kneeling next to him. Seeking forgiveness. He seeks the same in return. Given they embrace. The “Jamie-over” ends with him saying “that was falling in love.” Gutted is the proper verbiage here. Us, Jamie, Claire. Powerful emotions. Passionate discourse. Again, flawless acting Sam and Cait are nowhere to be found, only Jamie and Claire. We are getting the peeled back layers of their relationship and individual selves.
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The harsh reality of consequences quickly dons on Claire upon return to the inn where Dougal and the others are. The men overtly ignore her while jovially eating, drinking and sharing stories. She is separate from the group she so comfortably belonged. They feel wronged. They feel she put them in extreme harms way.


Murtagh makes it clear to Jamie it is his job to contend with her and that justice is served.

Understanding exactly what he must do, Jamie heads up to their room.

In his mind justice. This will teach her to listen to him in these dangerous times they live and to bring her back into the fold with the men. The dialogue tells us this is a customary practice to be punished. It is expected that someone who defies orders, no matter the reason, is to be have a punitive outcome upon them whether man or woman. If it happens to be a wife, then the husband has a duty to in this case strap her. Outlander is set in a fictional 18th century Scotland, not reality. Contextually, this scene has always made sense and does not bother me from my modern perspective.


That said Claire fighting back like a modern day woman rings absolutely correct. No woman of the 1940’s or today would just lift her shift and take it.


Jamie felt it was his duty not only as a husband, but to all the men being put in harms way. This scene was handled very well overall with gravity, shock, seriousness, and a little humor to break the tension. I am impressed no one on the team shied away from doing it nearly straight out of the book. Modern sensibilities can handle such things and discern what it is.

In the morning things are settled with the men and Claire, but there is a wide divide left to traverse between her and Jamie. He thought justice done, problem solved, and we move forward. Sigh the naively newly married man.


The return to Castle Leoch proves to not be a respite at all instead it seems something bad behind every summons or interaction. From the cool greeting by Leticia and Colum, sad sack delusional Laoghaire confronting Jamie on his marriage, Colum being angry about the raid and rescue of Claire at Fort William, Colum knowing about the Jacobite money raising campaign during the rent collection, and Jamie being nowhere back in graces with Claire, all hell is breaking loose in his world.


Chaos reigns and Jamie for the first time in his life has no idea what to do. Not yet anyway.

The episode is now moving toward healing and reconciliation with wonderfully unexpected paths.

Jamie has a plan to get Uncles MacKenzie into peaceful, cooperative waters. At first Colum is resistant and then wisdom seen, he gives the Jacobite fund raising monies back to Dougal. Brothers reunited for now with each other and Jamie.     

At the river Jamie is still heavy minded over what to do about Claire. Skipping rocks when Laoghaire MacKenzie approaches. She is presented in a light that begs the viewer to be sympathetic as she tells Jamie she has always remembered him even back to 7 years old and how her heart leapt when he returned years later. She believes he has the same feelings since he took the beating for her and the way he kissed her in the alcove. He begins to tell her though it was an arrangement but… she cuts him off by dropping her cape leaving her in very little except her bodice and shift. She presses his hand to her overflowing breast, and declares she wants him to be the first to have her. Jamie will not kiss her and says he will not break his vows. Then he apologizes to her not once, but twice, as she runs off humiliated.  Why did he apologize to her? Too much a gentleman at times. Frustrating with all his “Jamie-over” about choices, that he does not tell her he has fallen in love with Claire. He does not fully realize that she is officially well scorned now.


Once back in his room he has a strong desire to make amends with Claire. He offers an olive branch in relaying the coming back together of Colum and Dougal. That his rigid uncle could bend at the risk of looking weak to all who serve him. He says perhaps things can be different in their marriage than tradition of a woman obeying her husband and the husband punishing the wife. He then draws his dirk giving Claire the pledge he refused to give Colum. Claire sits there not as angry, stunned silent for a moment. She answers his plea. The repairs begin.


What a well written and played scene. All those strings of chaos getting tied up neatly. From damage, newness can spring.

As he touches her reached out hand, he tells her how the ring he gave her was smithed from his very own key to Lallybroch, his home. She is his home now and it is okay if he can never return there. YES. The ring scene is now come full circle and book fans can breathe a sigh of relief.

Having had Claire refuse to allow him in bed since the strapping, he tells her he wants her and asks if she will have him. A deep home run. She agrees. Jamie’s clothing flings off as quickly as possible.

With the events and emotions of recent days this is not going to be routine make up sex. This is going to be intense, a bit rough, and very raw. And indeed it is. Several parts of this lengthy scene are my favorite.

  • While already having sex, Claire on top of Jamie grabs his throat in one hand and his dirk in the other, holding it to him says the much lauded words “Listen to me. If you ever raise your hand to me again James Fraser, I will cut your heart out and have it for breakfast. Do you understand me?” Of course he agrees, she is mmphmming him.  
  • After shifting positions, he tells her “You are mine mo nighean donn. Mine. Now and forever.”
  • Then he says, “And I mean to make ye call me master.”

Lying together after mutual release, he has another gem to speak to Claire, “I am your master. And you’re mine. Seems I canna possess your soul without losing my own”.  Swoon. They cemented their path of reparations. Sometimes sex is a way to break down and begin a rebuild. This is that sex. Awesome. Gritty. Realistic. Well except for the dirk to the throat. I have never seen that before.  Sam and Cait chemistry, bravery, and acting chops.

Sweet and fireside moment Jamie seeking some definitions from Claire (fucking and sadist). Claire explains, then asks, “Was I too rough on you?” He responds, “Well if you bed a vixen, you have to expect to get bit. Come here and bite me some more.” A cute, sweet, and funny transition from the heavy emotions and sexual outlay prior. A welcomed respite.


All seems wonderful until, Claire finds the ill wish under bed. Puzzled she asks who would do such a thing. A pause and Jamie declares Laoghaire.

Roll credits. I applaud the chutzpah to take the complex subject matters and present them boldly. An excellently adapted episode. Overall a job well done. I will watch it over again.

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Tartan Carpet Screen Caps NYC

The #tartanaffair red carpet before the mid-season premiere screening of The Reckoning episode 109 was a wild, noisy event. Pretty much was any red carpet is like. 

 The application being used for streaming purposes was a bit glitchy, and frustrating for users both via computer or apple product.  In the end we were able to enjoy seeing the stars of Outlander. 

 The quality of streaming was hit or miss but here are the screen caps that were the best.

Graham McTavish and Gary Lewis


Graham McTavish and Gary Lewis


Gary Lewis


Tobias Menzies


Tobias Menzies


Ronald D. Moore


Caitriona Balfe



Caitriona Balfe


Caitriona Balfe


Watch out Sam!

Sam Heughan


Outlander Dream Team


Lotte and Caitriona



Sam and Caitriona


Outlander Dream Team


Sam and Caitriiona



Sam Heughan


Sam Heughan


Sam Heughan


Outlander Season One Volume One DVD Release Deleted Scenes

After viewing the deleted scenes on the Outlander Season One Volume One Blu-Ray DVD Release, I believe in the editing process as a win for viewers.

The walking through Castle Leoch of Murtagh taking Claire to meet Himself, the Laird, Colum MacKenzie for the first time went on too long. The Claire voice overs were distracting and I am grateful they were limited in the final versions. The alternate sequence of the wedding vows played odd as Claire was looking as if she would fall right to sleep standing at the altar.

Though all the deleted scenes had some insights and additional information for the viewer, they were not necessary for understanding the characters, themes, or falling more in love with the series.

Now to the Achilles’s heel of being a reader fan and a viewer fan.

The one very large exception, a VERY LARGE EXCEPTION to the editing is a glaring deleted scene. The. Honesty. Speech. That was sorely missed during the bridal chamber discourse between Jamie and Claire. Lo and behold it was shot and then cut. The sequence took all of a few seconds of screen time. I was crushed at first to see it, to hear it, knowing viewer fans know not of it’s existence. I said something out loud (likely of the cussy type. I honestly cannot recall what as I was so stunned at the moment) to the dear friend I was viewing with.  After a few deep breaths, I found hope. Perhaps it will be shown in a flashback when Claire is pondering to be truthful or lie to Jamie where keeping a secret is not an option.

Only time will tell as the second half of Season One is nearly upon us.

If you have the opportunity, I do recommend watching the numerous deleted scenes. Outlander edited to the proverbial cutting room floor is still Outlander and well worth the watch.